El término Werkbund Exhibition (1914) figura en la edición en idioma inglés de Wikipedia. Allí se cube al respecto lo siguiente:
The first Werkbund Exhibition of 1914 was held at Rheinpark in Cologne, Germany. Bruno Tauts greatest-recognized constructing, the prismatic dome of the Glass Pavilion of which solely black and white photographs survive at present, was in actuality a brightly coloured landmark. Walter Gropius and Adolf Meyer designed a mannequin manufacturing unit for the exhibition. The Belgian architect Henri van de Velde designed a mannequin theatre.
The exhibition occurred primarily on the initiative of the later German chancellor Konrad Adenauer, then a 36 years previous aspiring inventor, Werkbund member and native politician at Cologne. The metropolis spent the luxurious sum of H million Goldmarks on the occasion. Planning begain in earnest in 1912, and development work began in early 1914. The exhibition was opened to the general public by Van de Velde on May fifteenth, 1914. Scheduled to final till the top of October, it was prematurely shut down on August eighth, in response to the outbreak of World War I every week earlier; the exhibition buildings have been dismantled shortly afterwards.
There have been two extra Werkbund Exhibitions after the conflict. The second was the Stuttgart Exhibition of 1927, which included the Weissenhof Estate. At that point, the third Werkbund Exhibition had been tentatively scheduled for 1937, however the plan was shelved in 1932 due to the Great Depression and couldn’t be taken up once more because the Nazis opposed and finally outlawed the Werkbund. It lastly happened on a lowered scale in 1949, again in Cologne, and turned out to be the final Werkbund Exhibition.
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